More light and sportier looks
The car’s main distinguishing feature probably won’t be the bumper, however, but rather the headlights. “They now seem to embrace the radiator grille, and both the basic and the Full LED Matrix versions have new light signatures that emphasise the lines and this “embracing effect,” Leicht explains. The Full LED Matrix light has a new multi-segment technology and the Crystallinium design element, which has already been featured on the new-generation Superb and Kodiaq models. The radiator grille itself is also new: it has a thinner, more subtle frame, its slats are more upright and their centre angle is more closely aligned to other lines on the nose. But the four-eyed headlight design typical of the Octavia is still there.
The RS sports version has also been given a facelift, and here too the changes are mainly to the front end. Needless to say, the headlamps have been redesigned, as has the glossy black grille with the RS badge. The bumper has been given a very specific shape, different from the other versions. “This emphasises the car’s width, but at the same time we want the details to underline the car’s dynamic character,” explains Jounggeen Kim, the designer responsible for the look of the updated Octavia RS. Kim goes on to say that the bumper’s black surfaces help to add dynamism to this part of the car, emphasise the proportions and create a bold contrast with the areas painted in the bodywork colour. “The inspiration here comes from aircraft wing shapes,” he says.
Jounggeen Kim was responsible for the looks of the innovated Octavia RS.
At the rear of the Octavia there are new taillights and, of course, the Škoda lettering in the Czech carmaker’s new visual style. “The design of the rear lights has changed: now the direction indicators are now exclusively horizontal, while crystalline elements inside the lights more closely matched the segmented C-shaped signature. The spoiler formed by the rear lights has been aerodynamically optimised,” says Karel Linhart, who was responsible for the changes to the rear of the car.
Karel Linhart’s role in the modernisation focused on the rear of the car.
He also worked on the new rear bumper. “I tried to extend that continuity to the side lines of the doors and sill, and we played a lot with the surfaces. These are generally sleeker, but achieving a minimalist look that doesn’t come across as plain and drab was the hardest part,” Linhart says. That’s why the horizontally aligned rear bumper uses sophisticated mouldings, edges and even concave surfaces. The rear reflectors are incorporated into the diffuser area, reinforcing the “hugging” impression of the painted part of the bumper.